(Source: netadptr0719, via galacticwitch)

@3 days ago with 281 note and 1789 play

(Source: rawrrawrbear920, via bravodelta9)

@5 days ago with 20735 notes
I love my asshole friends.

I love my asshole friends.

@1 week ago


Alva Noto + Ryuichi Sakamoto

(via thecanterbunnytails)

@1 week ago with 109 note and 82 play

My world is so small now. It’s compact, and, somehow, grossly complicated. This, I think, was the cost of trying to escape my depression without owning up to the causes. It is a great and horrible mistake that I have made. When I was down, my world was a sprawl of beautiful gray, at the worst, and a pure white room with Judd’s work on the wall, at the best. Now its a oiled machine part. A life-sized, mock up of something nature made. Now the light of it all is leaving far away, and I’ll have to learn to see in the dark.

@1 week ago with 1 note

(Source: dangervvank, via hfml)

@2 weeks ago with 598 notes

If the Avengers had pokemons

(via fourthplanet)

@3 weeks ago with 6421 notes


Mildhorror, , and heirophage, I am working on those requests. I should hopefully have atleast one of them done today… hopefully.

@3 weeks ago with 4 notes

The song recounts a specific sexual assault (“One of the most shattering experiences of my life,” Grimes, who was born in Vancouver as Claire Boucher, told SPIN in 2012) by describing the psychic fallout: “And never walk about after dark/ It’s my point of view/ Because someone could break your neck/ Coming up behind you always coming and you’d never have a clue,” she lisps in her high, pinched voice. It’s a dazzling, paralyzing performance, in part because Boucher sounds almost playful, and in part because the skronking behind her—the song’s springy, propulsive synth line was one of 2012’s most unforgettable—indicates something other than victimization. “See you on a dark night,” Boucher repeats. […] But what “Oblivion” ultimately offers is victory. It’s the sound of one woman turning personal devastation into not just a career-making single, but a lasting anthem of transformation.

Grimes’ Oblivion is the best song of the decade - so far.

(Source: ozhin, via galacticwitch)

@3 days ago with 14201 note and 54434 play

I remember when the beats sounded sweet. Now they just sound desperate. They sound like how desperate we feel about our situation. In school they talk about the jobs of the future. At work they talk about the old jobs and how we worked harder then. At home they talk about going out. Outside we talk about going home. No one is content but, no one is changing; not by choice.

@1 week ago with 2 notes


If you don’t know FonoGraFF, you don’t know electroswing. Discovered his beautiful sounds a few weeks back, and I must say, he’s at the top of my set lists every time.

For more electroswing, follow me on Soundcloud › https://soundcloud.com/fonograff/fonograff-baby

@1 week ago with 40 notes


Madeline Kahn ad-libbed the short monologue about her hatred for Yvette the French maid. 

Clue (1985)

(Source: barbarastanwyck, via fourthplanet)

@1 week ago with 15928 notes

M.I.A. writing her album “Arular” - 2004 


M.I.A. writing her album “Arular” - 2004 

(via analogue-love-life)

@2 weeks ago with 14586 notes

(Source: juriajuria, via aforeignocean)

@2 weeks ago with 1381 notes

Grimes in a heated argument with Joanna Newsom


Grimes in a heated argument with Joanna Newsom

(via thecanterbunnytails)

@3 weeks ago with 2625 notes